Holiday Builds Homes with Heart

Holiday Builders has a simple mission: provide homeowners with quality-built homes of lasting value for the best possible price.  And clearly they are successful in fulfilling that mission.  In Holiday Builders’ first year of business, the goal was to sell 12 homes, instead they sold 76.  Nearly 30 years and 30,000 single-family homes later, Holiday is still making the dream of homeownership come true in communities in Florida, Alabama, Texas and South Carolina.  By constantly adapting designs and materials selections, Holiday Builders is able to withstand market fluctuations while delivering customers the options that make a house a dream home.

In response to the downturn in the market, Holiday Builders revamped their product offering based on customer feedback and new product availability.  The company also focused on building communities for specific buyers, including younger people moving up, and retiring families looking to downsize.  “When selecting products for our communities we like to be on the cutting edge,” says DiAnne Mangis, Purchasing Agent for the Florida Region of Holiday Builders.

Holiday Builders Oakbrook kitchen

Holiday Builders - Oakbrook kitchen with Wilsonart Stainless sink

“For example, we just started offering Wilsonart integrated sinks which are brand new.  In fact, I think we are the first builder to show them.  Customers like the idea of having an under-mounted stainless sink.”

All of Holiday Builder’s communities have standard features that are dictated by the type of community and the location, with options, like pools, for upgrading.  Holiday Builders generally builds a few spec homes in a location, and the rest are built to the buyers’ custom specifications within available plans.

Quality Built Homes
“Our goal is to provide value in what we are selling,” says Michelle Smallwood, Vice President Sales and Marketing for Holiday Builders.  “We recognize that there are thousands of home builders in operation.  There are tens of thousands of home plans that are four bedrooms and two and a half baths, so at the end of the day we need to offer something different.  From our perspective, we’re looking to really provide value in what we’re selling.”

Holiday Builders - The Shores guest bath

Holiday Builders - The Shores guest bath with Wilsonart HD Rectangular sink

To do this, Holiday Builders specifies products based on quality.  “ I don’t want to be the cheapest, I want to be the best,” says Smallwood.  “We take a lot of care in selecting the products we use to build our homes.  Our great purchasing folks always have their eyes open for products that will keep us on the leading edge of home style.”  One of the company’s latest offerings is Wilsonart integrated sinks.  “People who come through the models rave about them,” says Smallwood.  “Because the countertop and sink are one piece, there is no opportunity for moisture intrusion.  And clean up is easy because there is no channel behind the faucet where water can collect.

Holiday Builders - Oakbrook master bath

Holiday Builders - Oakbrook master bath with dual Wilsonart HD sinks

Plus, Wilsonart HD integrated sinks have the more contemporary rectangular shape, as opposed to just oval or round sinks.  Rectangular sinks are absolutely an upcoming trend.”

Lasting Value
The sinks are integrated into Wilsonart HD laminate countertops, which is an established standard option in most of Holiday Builders’ communities.  “One of the things we really like about Wilsonart HD laminate is the wide variety of choices.  They have something for everyone, from plain white to designs that look like marble and highly figured granite,” says Smallwood.  “The HD laminate also has the AEON ™ Enhanced Performance finish, which is fabulous.”  Wilsonart’s AEON enhances the fidelity of the design and makes the surface measurably more wear resistant.  Not only does the surface look better when new, it looks new longer.  This is particularly important because Holiday Builders offers customers a 2-year warranty from front porch to back porch on everything inside the home.  Most builders offer a 1-year warranty.  This is in addition to Holiday Builders’ standard 10-year structural warranty.

Holiday Builders - The Shores kitchen

Holiday Builders - The Shores kitchen with Wilsonart Stainless sink

Holiday Builders’ warranty is another thing that sets them apart from the competition, and in order to live up to that guarantee, the products the company selects have to be easy to maintain.  “The integrated sinks are so easy to keep clean, and the HD laminate countertops are easier to take care of than granite,” says Smallwood.  “You don’t have to worry about staining or pitting or anything like that.  It is very durable and has that look of a really high-end designer kitchen.”  Holiday Builders does offer other countertop options, including granite and solid surfacing, but Smallwood explains that customers are generally not interested in solid surfacing.  “We offer it, but we find that customers want granite or Wilsonart HD laminate.  Solid Surface costs almost as much as granite these days, and both require much more maintenance than laminate.  In the end, the homeowner is going to have to live with their choice, and laminate is way easier to live with than granite.”

Best Possible Price
According to Mangis, “The housing market has changed a lot in the past few years.  Not only is there generally more than one builder in a community, but buyers do not have as much discretionary income.  That means we have to be more flexible in how we purchase land, and the options we offer customers, while at the same time being more precise in efficiently completing the building process.  I spend a lot of time researching upfront so I can suggest what we need to have in order to be competitive.”

Holiday Builders uses an economy of scale to keep costs low.  To do this the company relies on a quick turn around from the time a lot is purchased to the time the home closes, usually less than 90 days, to minimize unproductive assets.  “I know of builders who have had problems with vendors who deal with things overseas and run into difficulty on delivery.  I don’t want any part of that.  We’re a production builder.  When we’re building houses, we can’t stop the cycle.  We can’t afford to hold up for two or three weeks if somebody has a delivery problem from China,” says Smallwood.  “We’ve never had a problem with Wilsonart, and that helps us to keep the process moving forward.  We’re an employee-owned company, nobody makes any money until we get the homes closed.”

Consistency and efficiency is what allows Holiday Builders to continue to build quality homes of lasting value at the best possible price.  “Take the Wilsonart HD laminate for example,” says Smallwood.  “The granite designs look just like granite, with tiny pits randomly interspersed on the surface so it has a very authentic look at a much more affordable price.  Being able to offer that allows buyers who are in the middle price range to have the fabulous look and feel of a designer kitchen without the huge price.  They can have great countertops with an integrated sink, and still afford to upgrade the cabinets.  It gives them the opportunity to get the whole look.  And that is what makes a house a home.”

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Cynthia Connolly: A Poetic Documenter of Our Changing World

“Great Falls, Montana 8-97” from the Souvenir postcard series, set 1. All photos courtesy Cynthia Connolly, www.cynthiaconnolly.com.

The frame captures an instant, a flash, something out of the corner of your eye as you walk. It is this immediacy which

makes you look twice and then you recognize that bit of the familiar: an ice box from an old gas station, a logging truck as it passes you on the highway. Cynthia Connolly’s work is a memory of something real. Once you see it you are happy for the reminder.

Connolly’s photographs blur the distinction between fine art and documentation. They are the poetic records of a vanishing landscape. As she herself explains, it is one that almost always includes the trifecta of people, places and things that are changing. In most examples of her work “changing” is euphemism, she is capturing the last glances of a disappearing vernacular world around us. Connolly says “I want to photograph true and unique American landscapes and document these scenes before they change and it’s too late.”

“Mason’s Bend Community Center or ‘The Glass Chapel’, Mason’s Bend, Hale County, Alabama

Not only is her subject matter the last vestiges of a changing material culture, her presentation reflects this interest as well. Connolly often releases her images as postcards, the old fashioned scalloped edge type that, if you are over forty today, you may have remembered as a kid. The kind of postcards that were themselves once sold at roadside attractions.

In an interesting twist of fate Connolly was involved with one of the most critically acclaimed architectural programs in the country, Auburn University’s acclaimed Rural Studio which was founded by the architect Samuel Mockbee. Everyone who participates in the Rural Studio builds a structure and Connolly’s contribution was a vegetable stand. But the Rural Studio itself became fodder for a powerful series of black-and-white images.

“The Lucy House or ‘The Carpet House’, Mason’s Bend, Hale County, Alabama” from the Rural Studio bonus album

Connolly presently lives in Arlington County, Virginia, where she is the Visual Arts Curator for Artisphere, a 60,000 square foot Cultural Center. She continues to create exhibits from her ever-growing collection of photographs in the full and half-frame 35mm format.

For more information go to: http://www.cynthiaconnolly.com/.

“Historic Timberline Lodge, Mount Hood, Oregon 7-29-00” from set 3 of the Deckle edge postcard series

“Selma, Alabama 12-14-02” from set 4 of the Deckle edge postcard series

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Stone Walls

A decorative semi-circular retaining wall with bench, designed and built by Shayne Izatt in New Haven, Connecticut. Photo courtesy Shayne Izatt

Stone walls. Driving down the roads of New England you see them companionably hugging the side of the road, or meandering away up a hill, or nestling between trees in the woods. As simple and natural as they look stone walls are a designed phenomenon, each one consciously constructed using a specific type of order which accommodates the shapes of rock.

A stone wall in New London, New Hampshire. Photo courtesy Bev Norton

Do you think of the famous Robert Frost poem “Mending Wall,” where a neighbor tells the curious Frost: “Fences make good neighbors”? Why they were built, or by whom? Was it a way to clear a field for farming, or to form a land-boundary marker?

Look closely and you will see that not all stone walls are the same. Some look like a pile of rubble, while others are meticulously executed in elaborate patterns, and others lie somewhere in between.  Regardless, each wall was created with careful deliberation and an eye for aesthetics. These stone walls could easily be called works of art.

The covers of two of Thorson’s works: Exploring Stone Walls and Stone by Stone. Both available from Bloomsbury Press.

Robert Thorson’s two books, “Exploring Stone Walls” and “Stone by Stone”, are necessary handbooks for anyone interested in learning more about stone walls. Thorson, a geologist by training, helps us decipher these mysterious anonymous creations. He helps us interpret the geological history of the local landscape through the stones; how to understand the miniature ecosystem that has established the wall as its home; and how to “read” a stone wall to deduce its specific life story.

A roadside stone wall in Franklin, New Hampshire. Photo courtesy Bev Norton www.flickr.com/photos/catchesthelight

He divides walls into hierarchical categories of intention and arrangement, and therefore design and artfulness. A dumped wall (which is self-explanatory) is the lowest level of order, followed by a placed wall, where single stones are maneuvered into a line. Next comes the stacked wall, where stones are balanced on top of each other, but without any real concern as to how they fit together. And finally, the laid wall, where stones are fitted together in a deliberate arrangement, and the chinked wall, where the gaps between laid stones are filled with smaller stones to create a smooth face.

Where each wall falls within the hierarchy tells you a lot about the intention and financial situation of the wall’s creator. A stacked wall may have been created by poor farmers, who were tilling the field by hand and so only needed to remove the largest stones. A carefully laid wall could be the creation of wealthier landowners, people who could afford machines to till the land that might be ruined by a smaller stone, or who wanted to impress with the design of their bounding walls. The stones themselves often bear the marks of the tools that positioned them.

Four levels of stone wall arrangement. Photos taken at the Shelburne Museum (www.shelburnemuseum.org) in Shelburne, Vermont. Courtesy Grace Jeffers

These days, stone walls are rarely created as the by-product of clearing a field for farming. They are more often looking for decorative walls or retaining walls in a landscaped garden or an entry gate. But contemporary stone wall designers have many of the same considerations of those historic craftsmen. Shayne Izatt, co-owner of Sightline scenery studio in New York City and a self-taught stone wall builder, likens the process to a puzzle, “except you get no help with having an image on the face and the pieces are a lot heavier!”

The author, Robert Thorson, as photographed by Lucy Nalpathanchil.

Of course, modern technology and tools give us an advantage over those early farmers, allowing us to more easily shape the stone to suit our needs. But true skill and art shine through in the same timeless way, in simply fitting together what nature has provided. As Shayne says, “I try not to ‘touch’ a stone when I’m building a wall. I find the joy in finding the right spot for each stone a challenge and the art of stone work.”

Newly created stone walls may be less about back-breaking creation, boundaries and functionality than those centuries-old ones you see criss-crossing the New England landscape, but they still have a story to tell, and one that will be read over centuries to come.

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INSPIRING STUDENTS…..

EVERYONE IN THE POOL! The class enjoys the once in a lifetime opportunity to soak their feet in a Frank Lloyd Wright pool!

As we posted before, we teamed up with the California College of Art to host this year’s student chair competition. Recently, Wilsonart and professor Russell Baldon decided to take advantage of the amazing partnership between 30 Southern Californian museums, galleries and cultural centers called “Pacific Standard Time.” Many of these institutions showcased work which explored the question: What is California Design? What does Californian design entail? What does it look like? And why?

Students explore the "California Design, 1930-1965: 'Living in a Modern Way'" exhibition at the LA County Museum

Students have the rare opportunity to examine the contructionof a Isamu Noguchi table inside the Storer house.Students explore the "California Design, 1930-1965: 'Living in a Modern Way'" exhibition at the LA County Museum

Brave professor Baldon took the class on a weekend field trip to Los Angeles and spent a day exploring three museums: LA County Museum’s California Design, 1930–1965: Living in a Modern Way (LACMA), Golden State of Craft: California 1960 – 1985 at the Craft and Folk Art Museum (http://www.cafam.org/), and Under The Big Black Sun: CALIFORNIA ART 1974-1981 at the Geffen Contemporary at MOCA (http://www.moca.org/). 

Students explore the "California Design, 1930-1965: 'Living in a Modern Way'" exhibition at the LA County Museum

Before heading back, the class had the privilege of touring the Storer House, one of four iconic “textile block” houses designed by Frank Lloyd Wright. The Storer residence is privately owned, so this was an extra special treat thanks to CCA student Leslie Boin Podell. The house has been impeccably restored with all of the original architectural details intact. We were even delighted to see the Frank Lloyd Wright designed linens on the bed!

Not even Hollywood could have scripted a more inspiring weekend!

Steve Sanchez looks out from the roof deck of the Storer House.

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